Opening reception: Friday, May 8, 6–8 PM
New York City Circa 1960: Works from the Collection of Robert A. Ellison, Jr. brings together paintings and works on paper created by a network of 15 artists in the years surrounding 1960, a pivotal moment of expansion in post-war American art. Centered on the collection of Robert A. Ellison, Jr., the exhibition situates both Ellison's own work and his collection of art by his contemporaries and friends within the vibrant downtown Manhattan art scene—particularly the creative set of artists, gallerists, and collectors clustered around Tenth Street.
The exhibition emerged in part from Robert Ellison’s close longstanding friendship with the Schoelkopf family. Gallery founder Andrew Schoelkopf reflects:
“Bob was a dear friend of my father’s and a mentor to me. I knew him from my birth until his recent passing in 2021. He was a serious and passionate collector, painter, and creative spirit.”
“I expect what drove him to acquire most of the works from this period around 1960 was the unusual access he had and the opportunity to support his close friends. He believed sincerely in them and the work they were doing and was excited to be part of that.”
"If there is such a thing as a ‘collecting gene,’ Bob surely had it. He collected art and ceramics with great enthusiasm. This exhibition celebrates part of his art collection that developed during an exciting and dynamic time in New York and is just one of the many fascinating chapters in Bob’s life as a collector.”
After World War II, New York emerged as the center of the international art world. Although Abstract Expressionism had become the dominant mode, by the 1960s many artists experienced a productive tension between abstraction and figuration, material experimentation and narrative possibility. The works presented in the exhibition reflect a community defined by restless energy and an exchange of ideas that embraced these parallel approaches to painting at a moment of artistic expansion. Together, they capture the spirit of camaraderie and experimentation that laid the groundwork for new directions in American art.
The Tenth Street scene in New York’s East Village emerged in the ‘50s after World War II and continued to be a thriving artistic community into the ‘60s. The neighborhood, particularly the block between Third and Fourth Avenues, was home to a robust network of artists’ studios and artist-run gallery collectives. Galleries such as the Tanager Gallery, Hansa Gallery, Brata Gallery, and Area Gallery offered an alternative to the more conservative commercial galleries clustered uptown around 57th Street. Artists also gathered socially at the legendary Cedar Tavern. Notably, artists including Willem de Kooning, Milton Resnick, and Mary Abbott maintained studios at 88 East 10th Street.
The exhibition features works by 15 artists including Robert Beauchamp, Elaine De Kooning, Robert De Niro, Sr., Robert Goodnough, Ben Johnson, Lester Frederick Johnson, Wolf Kahn, Emily Mason, Jay Milder, Dody Müller, Jan Müller, Pat Passlof, Milton Resnick, and Bob Thompson, as well as Robert Ellison himself.
Alongside paintings and works on paper, the Schoelkopf Gallery exhibition will feature a rich selection of archival material from Ellison’s Estate including exhibition pamphlets and announcements, newspaper clippings, personal correspondence, and portraits of artists photographed by Ellison and others.
Robert A. Ellison, Jr. (1932–2021) was a true Renaissance man. In turns a painter, photographer, cabinetmaker, gallerist, and impassioned collector, Ellison dedicated himself to American art and the artists who made it for over six decades.
Ellison was raised in Fort Worth, Texas and moved to New York City in the late 1950s with his first wife, Nancy Ellison. During a formative year in New York, they forged close ties with leading Abstract Expressionists, including Milton Resnick, Pat Passlof, Willem and Elaine de Kooning, Wolf Kahn, and Emily Mason, among others. Returning to Fort Worth in 1959, the Ellisons opened an art gallery on the ground floor of Robert’s family’s furniture business, introducing artists of the avant-garde New York School to a Texas audience.
In a colorful episode from 1959, Ellison exhibited a Ben Johnson nude painting in a window of the gallery facing a busy downtown street corner. The Fort Worth Art Association had previously declined to exhibit the piece on the basis of its supposed vulgarity. Ellison vowed to show the work after this, insisting: “I’ll make a protest for aesthetic freedom.”
Ellison installed Johnson’s controversial work in the street-facing window along with a sign that read: “This painting was rejected by the Fort Worth Art Association as being vulgar. What do you think?”
In the end, the work was only on display for a few days before a letter from the president of the local ministers’ association asserting that the painting was offensive to the community prompted Ellison to take it down. The controversy continued to garner media coverage throughout the year and underscored Ellison’s determination and vision in bringing challenging art to the Texas community.
The Ellisons ultimately left Texas three years later in 1962 following the sale of the family store and relocated permanently to New York, living, working, and socializing on the Lower East Side and later in Greenwich Village. Immersed in the Abstract Expressionist milieu, Ellison turned with great enthusiasm to painting, describing his practice as “lots of abstraction—no imagery and lots of thick paint.”
Alongside his own work, he assembled a visionary collection of American modern art, postwar abstraction, and a landmark collection of ceramics and American art pottery. From that collection, Ellison donated more than 600 ceramic objects to The Metropolitan Museum of Art in 2009 in a transformative gift.
In 1983, he met the artist Rosaire Appel. They married in 1994. The couple shared a life devoted wholly to art, until Robert’s passing in 2021.
In Ellison’s New York Times obituary, Max Hollein, Director and Chief Executive Officer of The Metropolitan Museum of Art, reflected: “Bob Ellison was a visionary collector.”
In this exhibition, viewers will be transported to a time of spirited creativity and innovation in the history of American art through the passionate and inquisitive perspective of Robert Ellison.
SCHOELKOPF GALLERY 25 YEARS
New York City Circa 1960: Works from the Collection of Robert A. Ellison, Jr. is part of Schoelkopf Gallery’s yearlong celebration of American art marking the gallery’s 25th anniversary and the 250th birthday of the United States. As part of this initiative, Schoelkopf presents monthly rotating Spotlight presentations in the gallery’s viewing room highlighting individual masterworks or focused groupings of works by a single artist or closely related pairs of artists. This exhibition coincides with Spotlight presentations of Pat Passlof and Milton Resnick in May and Robert De Niro, Sr. in June.
PRESS CONTACTS
Ian Simon-Curry
Director of Marketing and Communications
Schoelkopf Gallery
ian@schoelkopfgallery.com
Andrey & Melissa, Inc.

