Even at its most abstract, the work of Stuart Davis greets the viewer with the accessible demeanor of a populist. Hidden in the complexity of his compositions, there lives a rare art. One collaged together by shorthand truths. The kind of art capable of meaningfully transposing the shared awareness of a changing America. By simplifying the contours of everyday items, like gas pumps and road signs, Davis sketched the foreground of ordinary people's lives. He gave dignity and direction to the vantage point of midcentury Americans navigating the evermore unfamiliar and artificial landscape they had come to inhabit.
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Stuart Davis (1892-1964)Memo No. 2, 1956Signed at lower right: Stuart Davis; signed and inscribed on original stretcher at upper right (now lost): Stuart Davis / 15 W. 67 St. / N.Y.C. 23Oil on canvas24 x 32 inches
61 x 81.3 cm -
Stuart Davis was a pioneering modernist whose career spanned American art's shift from early 20th-century realism to the cool abstractions of the 1950s. Born in Philadelphia and raised in East Orange, New Jersey, Davis studied under Robert Henri, teacher of the Ashcan School, inspiring his early focus on urban life and social realism. The 1913 Armory Show introduced Davis to European modernism, sparking a transformation influenced by artists like Matisse and Picasso. By the late 1920s, Davis began incorporating abstraction, vibrant color, and elements of American consumer culture, culminating in his iconic "eggbeater" series. His style drew from Cubism and Precisionism, translating industrial objects into rhythmic, jazz-inspired compositions. His work reflected a deep engagement with contemporary culture, blending visual art with the improvisational energy of jazz music. Davis contributed to the Federal Art Project during the Great Depression and taught at institutions like the Art Students League and Yale University. His innovative use of line, color, and consumer imagery anticipated movements like Pop Art, influencing artists from Roy Lichtenstein to Keith Haring. Davis's work is held in major collections, including the Museum of Modern Art and the Whitney Museum of American Art.
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For additional information about Stuart Davis or any of the works presented, please be in touch with Alana Ricca at alana@schoelkopfgallery.com or (212) 879 - 8815