Albert Bloch: Expressionist presents the career and contributions of an American member of the legendary German Expressionist group known as Der Blaue Reiter in the early decades of the twentieth century.

 

The exhibition presents the subjects and themes that Bloch explored across a variety of media, drawing from his famed early period in Munich and introducing works from his late career created in Lawrence, Kansas.

  • Albert Bloch, Pierrot (Three-Quarter Standing), 1911

    Albert Bloch

    Pierrot (Three-Quarter Standing), 1911
    Oil on canvas
    30 3/8 x 22 3/4 inches
    77.2 x 57.8 cm
    Inquire

  • “The grinning clowns, leaping Harlequins, and dreamy Pierrots that populate so many of his paintings exist in an otherworldy state, far removed from the materialistic concerns of the modern world ... They manifest his own singular vision of spiritual existence and embody a full range of emotions, from grief to exaltation.”

    -David Cateforis, Albert Bloch:

    The American Blue Rider, 1997

    • Albert Bloch Portrait of a Long-Haired Man, 1911
      Albert Bloch
      Portrait of a Long-Haired Man, 1911
      Inquire
    • Albert Bloch Still Life, Plant, 1911
      Albert Bloch
      Still Life, Plant, 1911
      Inquire
    • Albert Bloch Clown's Head I, 1910
      Albert Bloch
      Clown's Head I, 1910
      Inquire
    • Albert Bloch, Harlequin with Pierrot, c. 1911
      Albert Bloch, Harlequin with Pierrot, c. 1911
      Inquire
    • Albert Bloch Untitled (Reclining Figure and Standing Figure), 1911
      Albert Bloch
      Untitled (Reclining Figure and Standing Figure), 1911
      Inquire
  • Albert Bloch, Holzlager (Lumberyard), c. 1911

    Albert Bloch

    Holzlager (Lumberyard), c. 1911

    “I paint still-life pictures, landscapes, compositions with figures—just like everyone else. But with me the result is inescapably a total spiritualization of the object.”

    -Albert Bloch, 1948

    Inquire
    • Albert Bloch Untitled [Munich], 1911
      Albert Bloch
      Untitled [Munich], 1911
      Inquire
    • Albert Bloch Fabrikschlote (Factory Chimneys), 1911
      Albert Bloch
      Fabrikschlote (Factory Chimneys), 1911
      Inquire
    • Albert Bloch Boy with Orange, 1913
      Albert Bloch
      Boy with Orange, 1913
      Inquire
    • Albert Bloch, Bar, 1913
      Albert Bloch, Bar, 1913
      Inquire
    • Albert Bloch, Duell (Duel), 1913
      Albert Bloch, Duell (Duel), 1913
      Inquire
    • Albert Bloch Häuser bei Nacht (Houses at Night), 1913
      Albert Bloch
      Häuser bei Nacht (Houses at Night), 1913
      Inquire

  • “His progress in the few years he has worked in Munich has been little short of marvelous. I have the feeling that he is by long odds the strongest American painter on the other side who is working in the modern vein.”

    - Arthur Jerome Eddy, 1919

    Inquire
  • Albert Bloch in his Munich studio, 1912. Portrait of a Long-Haired Man hangs behind the easel and Still Life, Plant hangs behind Bloch. Albert Bloch papers, 1873-2014. Archives of American Art, Smithsonian Institution
    • Albert Bloch, Nacht IV, 1913
      Albert Bloch, Nacht IV, 1913
      Inquire
    • Albert Bloch Nach einem Eigenen Gemälden (Mountain Tunnel), 1916
      Albert Bloch
      Nach einem Eigenen Gemälden (Mountain Tunnel), 1916
      Inquire
    • Albert Bloch, Souvenir of a Sunday Afternoon, 1919
      Albert Bloch, Souvenir of a Sunday Afternoon, 1919
      Inquire

  • “... it was the work of these later years that represented his finest achievement, the fulfillment and culmination of his early strivings.” 

    - Henry Adams, Albert Bloch:

    The American Blue Rider, 1997

    • Albert Bloch Winter, 1924
      Albert Bloch
      Winter, 1924
      Inquire
    • Albert Bloch Hillside with Firs, 1932
      Albert Bloch
      Hillside with Firs, 1932
      Inquire
    • Albert Bloch At Sun Down, 1938
      Albert Bloch
      At Sun Down, 1938
      Inquire
    • Albert Bloch December Sundown, 1931
      Albert Bloch
      December Sundown, 1931
      Inquire
    • Albert Bloch The Great Cloud, 1941
      Albert Bloch
      The Great Cloud, 1941
      Inquire
  • Albert Bloch, Blaue Schlucht (Blue Ravine), 1939

    Albert Bloch

    Blaue Schlucht (Blue Ravine), 1939

    “The artistic pilgrimage that Albert Bloch made during the last four decades of his life was a highly personal one, undertaken without regard for the changing fashions of the art world and with no expectation of public recognition.”

    -David Cateforis, Albert Bloch: The American Blue Rider

    Inquire
    • Albert Bloch Broken Road, 1942
      Albert Bloch
      Broken Road, 1942
      Inquire
    • Albert Bloch For a Design with Flowers, 1951
      Albert Bloch
      For a Design with Flowers, 1951
      Inquire
    • Albert Bloch Dedication (Design of Flowers), c. 1951
      Albert Bloch
      Dedication (Design of Flowers), c. 1951
      Inquire
    • Albert Bloch Untitled (for Spangled Motley II), 1952
      Albert Bloch
      Untitled (for Spangled Motley II), 1952
      Inquire
    • Albert Bloch "Hold your sides (and noses) and keep your tempers—Congress is sitting", 1951
      Albert Bloch
      "Hold your sides (and noses) and keep your tempers—Congress is sitting", 1951
      Inquire

  • “Almost by accident, Bloch took part, almost unwillingly, in one of the formative movements of modern art—in a gathering of extraordinary talents at a time when the artistic and spiritual possibilities of the future seemed unlimited. His artistic legacy sheds light on the hopes and aspirations of that moment, while it also betrays, particularly in his late work, his equally profound and haunting disappointments.”

    -Henry Adams, Albert Bloch: The American Blue Rider, 1997

  • If you are interested in speaking with us directly about the available works, or would like to learn more about Albert Bloch, please do not hesitate to connect with Alana Ricca by phone call, to the gallery at (212) 879-8815, or by mobile at (203) 524-2694. We look forward to being in touch with you soon.