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Norman Lewis
Untitled, 1962
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"I, too, struggled single-mindedly to express social conflict through my painting. However gradually I came to realize that certain things are true: the development of one's aesthetic abilities suffers by such an emphasis; the content of truly creative work must be inherently aesthetic or the work becomes merely another form of illustration; therefore the goal of the artist must be aesthetic development, and, in a universal sense, to make in his own way some contribution to culture."
–Norman Lewis
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If you are interested in speaking with us directly about the available works, or would like to learn more about the artists, please do not hesitate to connect with Alana Ricca by phone call, to the gallery at (212) 879-8815, or by mobile at (203) 524-2694. We look forward to being in touch with you soon.
Romare Bearden’s work in painting and collage helped shape the art of postwar America, influencing generations of painters from his early contributions to the Harlem Renaissance to late-twentieth century paintings and illustrations. His early work in a social realist manner gave way over the years to a refined collage technique that drew from mosaic tradition, all the while creating a body of work which represented the true and inclusive human experience.
His frequent collaborator and co-founder of the Spiral movement, Norman Lewis, is perhaps best known for his political subject matter and mature, abstract style. He consistently drew inspiration from natural forms, and following early experimentations in social realism, later turned to abstraction as a method to gain artistic freedom and personal discovery, connecting his approaches to abstraction using representational strategies to the crises of African-American urban life and his community's struggles just after midcentury.