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EDWARD BIBERMAN
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Edward BibermanWilshire-Coronado Corner, 1938
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MARGARET BOURKE-WHITE -
CLARENCE CARTER -
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HOWARD COOK -
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GORDON COSTER -
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CHARLES GOELLER -
LEWIS HINE -
Lewis HineElectrical Industry Generators, c. 1930
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EDMUND LEWANDOWSKI -
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LOUIS LOZOWICK -
JAN MATULKA -
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The favored term “Precisionism” settled into our vocabulary in the 1950s and is preferred today, but it took time to embrace the entire sweep of the movement. It is instructive that leading scholars and curators struggled to find the correct moniker for the work. We believe this further reinforces a more nuanced understanding of the unique attributes of this first independent American art movement. That nuanced understanding has suffered because the artists approached this new aesthetic in various media–through painting, watercolor, photography, and printmaking–and through different pictorial subjects, from architectural cityscapes to new approaches in still-life motifs, to Charles Sheeler’s hallmark images of the sterile industrial landscape of America’s Midwest.
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Charles Sheeler -
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If you are interested in speaking with us directly about the available works, or would like to learn more about The Immaculates, please do not hesitate to connect with Alana Ricca by phone call, to the gallery at (212) 879-8815, or by mobile at (203) 524-2694. We look forward to being in touch with you soon.