Charles Goeller American, 1901-1955
99.1 x 64.8 cm
Charles Goeller painted Checked Tablecloth during the early years of his career when he was studying in Paris during the 1920s, and as seen in the present canvas, his mature style had fully developed. This large-scale work was exhibited at the Société du Salon d’Automne in 1928, and upon his return to New York, it was included in a show of promising artists organized by Alfred H. Barr at the Museum of Modern Art in 1930. Early critical reception for the Checked Tablecloth was universally favorable, noting it was “painted with enormous facility and clarity” and “his most accomplished.” The precise style and clean lines of this work place Goeller’s work firmly in the Precisionist canon and recall the domestic interiors of fellow Precisionist Charles Sheeler. The masterful handling of drapery, here featuring an intricate checkerboard pattern, would become one of Goeller’s signature elements.
Provenance
Estate of the artist;By descent in the family; to
[Franklin Riehlman Fine Art, New York, 2003]; to
Private collection, New Jersey, 2003 until the present
Exhibitions
Société du Salon d’Automne, Paris, Exposition de 1928, 1928, p. 203, no. 782 (as Nature morte) // The Daniel Gallery, New York, 1929 or 1930 // Museum of Modern Art, New York, An Exhibition of Work of 46 Painters & Sculptors Under 35 Years of Age, April 12-26, 1930, no. 80 // Argent Gallery, New York, Charles L. Goeller, 1933 // Hunterdon County Art Center, Clinton, New Jersey, Memorial Exhibition: Charles L. Goeller, Gus Eager, Bror J.O. Nordfeldt, September 9-30, 1956 // Franklin Riehlman Fine Art, New York, Emotion Expressed Through Precision: The Art of Charles Goeller, 2003, n.p., illus. // Greenville County Museum of Art, Greenville, South Carolina, Charles Goeller, July 3-August 29, 2004 // Menconi + Schoelkopf, New York, The Immaculates: Paintings, Drawings and Prints, December 2-18, 2020, no. 25, illus. pp. 49, 58, and cover (detail)Literature
Edward Alden Jewell, "Beautiful French Work: Water-Colors and Drawings Yield No Dull Moment—Coleman and Other Artists," The New York Times, March 10, 1929 (as The Checkered Tablecloth) // Creative Art: A Magazine of Fine and Applied Art, March 1931, illus. // “Three Displays at the Argent Gallery,” The Herald Tribune, November 26, 1933 (as Checkered Table Cloth) // Howard Devree, “Other Shows,” The New York Times, November 26, 1933, p. 153 // Gail Stavitsky, Emotion Expressed Through Precision: The Art of Charles Goeller, New York: Franklin Riehlman Fine Art and Megan Moynihan Fine Art, 2003, n.p., illus // Ann Hicks, "There's still time to catch remaining weeks of art exhibits," The Greenville News, August 8, 2004, p. 67 // Carol Troyen, The Immaculates: Paintings, Drawings and Prints, New York: Menconi + Schoelkopf, 2020, no. 25Publications
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