-
Artworks
Charles Burchfield
Late Winter Dawn, 1956-65Watercolor, gouache, and charcoal on joined paper mounted on board49 x 32 inches
124.5 x 81.3 cmSigned with the artist's monogram and dated at lower left: CEB / 1956-65Charles Burchfield, Journals, March 8, 1965 Chilly, damp, overcast — listless fall of snow at times —All day in studio on Late Winter Dawn. The most important change is the...Charles Burchfield, Journals, March 8, 1965
Chilly, damp, overcast — listless fall of snow at times —All day in studio on Late Winter Dawn. The most important change is the addition of stars — It now seems to 'hang together' better. Bertha thought it beautiful, and refused even to consider the thought that it might still have faults.
Provenance
[Frank K.M. Rehn Gallery, New York];
Argus Chemical Corporation, until 1965;
W. E. Leistner, Brooklyn, New York; to
[Sale: Sotheby’s, New York, May 23, 1991, lot 76];
Private collection, New York, until the present
Exhibitions
University of Arizona Art Gallery, Tucson, Charles Burchfield, His Golden Year, A Retrospective Exhibition of Watercolors, Oils, and Graphics, November 14, 1965-January 9, 1966, p. 56, no. 9, illus. // Burchfield Penney Art Center, Buffalo, New York, Listening to the Trees: Burchfield Masterworks from the Spiro Family Collection, May 3-November 2, 2003, pp. 16-18, illus. // Debra Force Fine Art, New York, Charles Burchfield: Seasons of Change: 1918-1965, Spring 2011, illus.
// Brandywine River Museum, Chadds Ford, Pennsylvania; Burchfield Penney Art Center, Buffalo, New York, Exalted Nature: The Real and Fantastic World of Charles E. Burchfield, August 23, 2014-February 22, 2015, p. 52, no. 29, illus. // Menconi + Schoelkopf, New York, Charles E. Burchfield: Inexhaustible, February 22-April 2, 2021, pp. 62-63, no. 21, illus. p. 51Literature
"Artwork: Late Winter Dawn," Burchfield Penney Art Center, burchfieldpenney.org/collection/object:v2013-0226-001-late-winter-dawn/ // Joseph S. Trovato, Charles Burchfield, Catalogue of Paintings in Public and Private Collections, Utica, New York: Munson-Williams-Proctor Institute, 1970, p. 310, no. 1307 // Nancy Weekly, Charles Burchfield: Ecstatic Light, New York, DC Moore Gallery, 2007, p. 13, illus.
2of 2
Subscribe to our mailing list to receive updates from the gallery
* denotes required fields
We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.