Max Weber American, 1881-1961
62.2 x 47.6 cm
Schoelkopf Gallery is the exclusive worldwide representative of the Max Weber Foundation.
In Still Life (1913), Max Weber explored visually engaging cropping effects by excluding the right half of the table from the composition. This style of visual cropping bears a resemblance to the techniques employed in photography in the early twentieth century. While living and working in New York, Weber forged connections with various artists, among them photographer Clarence H. White. Together, they established a School for Photography in 1914.
Provenance
The artist; toEstate of the artist, 1961; to
Max Weber Foundation, 2021 until the present
Exhibitions
Gerald Peters Gallery, New York, Max Weber: Painting the Object, Four Decades of Still Life Painting, May 8–26, 2006Subscribe to our mailing list to receive updates from the gallery
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