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Open a larger version of the following image in a popup: Thomas Hart Benton, The Hymn Singer, c. 1950

Thomas Hart Benton 1889-1975

The Hymn Singer, c. 1950
Oil on canvas mounted on board
39⅞ x 29¾ inches
101.3 x 75.6 cm
Signed at lower left: Benton; inscribed with the title twice on verso: The Hymm Singer
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This work will be included in the forthcoming catalogue raisonné being prepared by the Thomas Hart Benton Catalogue Raisonné Foundation. Committee Members: Dr. Henry Adams, Anthony Benton Gude, Andrew Thompson...
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This work will be included in the forthcoming catalogue raisonné being prepared by the Thomas Hart Benton Catalogue Raisonné Foundation. Committee Members: Dr. Henry Adams, Anthony Benton Gude, Andrew Thompson and Michael Owen.


Thomas Hart Benton’s The Hymn Singer portrays Burl Ives (1909–1995), the celebrated American folk singer and actor. Ives began as an itinerant singer and guitarist, collecting and performing traditional songs before achieving national recognition through his radio program The Wayfaring Stranger. His deep knowledge of American folk music made him a natural subject for Benton, whose own lifelong interest in vernacular music was central to both his artistic practice and his understanding of American culture.


The present composition originated with Ives’s 1950 visit to Benton in Kansas City. Ives, returning from Hollywood with a beard grown for a film role, sang a number of old Southern hymns for the artist. Benton later recalled, “He sang some old southern hymns which produced the idea for this print and a life size portrait: The latter still in my possession.” The composition was subsequently produced as a lithograph, while the present portrait remained with Benton.


Music occupied a significant place in Benton’s life beyond his art. He was an accomplished harmonica player, performed with friends and family, and released Saturday Night at Tom Benton’s in 1941, designing its album cover himself. His wife, Rita, played piano and guitar, while his children T. P. and Jessie were accomplished flautist and guitarist, respectively. Benton’s engagement with music continued to the end of his life: he died in 1975 while working on The Sources of Country Music, his monumental commission for the Country Music Hall of Fame and Museum.



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Provenance

The artist; to
The Thomas Hart and Rita Piacenza Benton Testamentary Trusts

Exhibitions

Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, New York; Center Gallery, Bucknell University, Lewisburg, Pennsylvania; Queens Museum, New York; Hudson River Museum, Yonkers, New York, Thomas Hart Benton: Chronicler of America's Folk Heritage, November 3, 1984–July 6, 1985, no. 2

Literature

Creekmore Fath, The Lithographs of Thomas Hart Benton, Austin: University of Texas, 1979, p. 168
Linda Weintraub, Matthew Baigell, Archie Green, Alan Buechner, Thomas Hart Benton: Chronicler of America's Folk Heritage, Annandale-on-Hudson, New York: Bard College, 1984, p. 79, as Hymn Singer

           

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