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Open a larger version of the following image in a popup: Paul Klee, Orte, 1926

Paul Klee

Orte, 1926
Watercolor on paper
Image size: 14½ x 11 inches (36.7 x 28 cm)
Sheet size: 26 x 10 inches (66 x 25.4 cm)
Signed at upper right: Klee; inscribed at lower left: VII; dated, numbered and inscribed with the title at lower center: 1926 F null Orte.
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The 1920s marked a critical creative episode in Klee’s artistic career. In addition to a major retrospective held at the Galerie Hans Goltz in Munich in 1920, Klee was also...
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The 1920s marked a critical creative episode in Klee’s artistic career. In addition to a major retrospective held at the Galerie Hans Goltz in Munich in 1920, Klee was also appointed a member of the faculty of the legendary Bauhaus, where he taught from 1921 to 1931 alongside leading figures of the avant-garde including Wassily Kandinsky. During his time at the Bauhaus, Klee developed a deep mastery of his watercolor technique, in which he layered the medium in delicate shades emphasizing nuance between light and dark and a kaleidoscopic approach to color. In Orte, Klee distilled everyday items such as houses and faces into simplified geometric forms, rendered in negative space within bursts of rich jewel tones created in watercolor. The artist earned his first solo exhibition in the United States in 1924 at the Société Anonyme in New York, just two years prior to the execution of Orte in 1926.
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Provenance

The artist;

Rudolf Probst [Galerie Neue Kunst Fides, Das Kunsthaus], Dresden and Mannheim, Germany, 1926–30;

Alfred Flechtheim, Düsseldorf and Berlin, Germany, Paris, France, and London, United Kingdom, from 1930;

Lily Klee (the artist's wife), Bern, Switzerland, 1940–46;

Klee-Gesellschaft, Bern, Switzerland, 1946–48;

Curt Valentin [Buchholz Gallery; Valentin Gallery], Berlin, Germany and New York, from 1948;

Esther Sperry; 

Private collection

Exhibitions

Kunsthalle Basel, Switzerland, Bauhaus Dessau: J. Albers, L. Feininger, W. Kandinsky, P. Klee, O. Schlemmer, 1929, no. 127
Galerie Ferdinand Möller, Berlin, Germany, Blaue Vier, 1929, no. 137

Literature

Annegret Janda, "Paul Klee und Nationalgalerie 1919-1937," Paul Klee: Vortäge der wissenschaftlichen Kunstsammlungen Dresden und dem Verband Bildender Künstler der DDR, Dresden, 1986, p. 48
Paul Klee Stiftung, Kunstmuseum Bern, eds., Paul Klee: Catalogue Raisonné, Volume 4: 1923–1926, London: Thames and Hudson, 2000, p. 475, no. 4102, illus.
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