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Open a larger version of the following image in a popup: Max Weber, Still Life, 1913

Max Weber American, 1881-1961

Still Life, 1913
Pastel on paper
24½ x 18¾ inches
62.2 x 47.6 cm
Signed and dated at lower right: Max Weber 1913
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Schoelkopf Gallery is the exclusive worldwide representative of the Max Weber Foundation. In Still Life (1913), Max Weber explored visually engaging cropping effects by excluding the right half of the...
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Schoelkopf Gallery is the exclusive worldwide representative of the Max Weber Foundation.



In Still Life (1913), Max Weber explored visually engaging cropping effects by excluding the right half of the table from the composition. This style of visual cropping bears a resemblance to the techniques employed in photography in the early twentieth century. While living and working in New York, Weber forged connections with various artists, among them photographer Clarence H. White. Together, they established a School for Photography in 1914.

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Provenance

The artist; to
Estate of the artist, 1961; to
Max Weber Foundation, 2021 until the present

Exhibitions

Gerald Peters Gallery, New York, Max Weber: Painting the Object, Four Decades of Still Life Painting, May 8–26, 2006
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