Schoelkopf Gallery company logo
Schoelkopf Gallery
Skip to main content
  • Menu
  • Home
  • About
  • Our Services
  • Artists
  • Artworks
  • Exhibitions
  • Online Viewing Rooms
  • Art Fairs
  • Contact
  • News
  • Publications
Menu

Artworks

  • All
  • 19th Century
  • Contemporary
  • Early 20th Century
  • Gallery Artists
  • Modern and 20th Century
Open a larger version of the following image in a popup: Robert Salmon, Sailing Vessels in Boston Harbor, 1829

Robert Salmon

Sailing Vessels in Boston Harbor, 1829
Oil on board
16⅜ x 24 inches
41.6 x 61 cm
Signed, dated and inscribed on the verso: No 645 / Painted by Robert Salmon / 1829
Sold
Robert Salmon painted Sailing Vessels in Boston Harbor in 1829, the year after his arrival in Massachusetts, where he became one of the leading American maritime painters of the day....
Read more

Robert Salmon painted Sailing Vessels in Boston Harbor in 1829, the year after his arrival in Massachusetts, where he became one of the leading American maritime painters of the day. The painting captures a lively waterfront scene and faithfully records Boston harbor looking in the direction of Fort Independence. Salmon’s masterful skill as a draftsman is evident in the intricate details of the schooner’s rigging and the cluster of masts on the horizon. In contrast, Salmon explored the expressive possibilities of the water in the animated pattern of the waves and the billowing clouds.


John Wilmerding referred to the present work completed shortly after Salmon's arrival in Boston: “During the rest of 1829 Salmon turned more fully to painting what he loved best, views of the harbor and portraits of ships. His total number of pictures that year was under two dozen, and individual works seldom brought more than thirty dollars, often as little as eight. Two notable exceptions were paintings purchased by the eminent Bostonian, Thomas Handasyd Perkins for thirty-five dollars apiece (Nos. 644 and 645).” [1] This striking example of Salmon's mature period appealed to Perkins, who became his major patron and philanthropist who contributed to the Boston Athenaeum, Perkins School for the Blind, and Museum of Fine Arts.


Salmon’s singular style is rooted in Old Master painting and finds echoes, for instance, in the calm waters and dramatic skies of French baroque painter Nicolas Poussin. Salmon advanced these visual devices, however, and ultimately developed a uniquely American approach, seen here in the specificity of Boston subject and handling of light on the water. Today, Salmon is widely considered to be a founder of Luminism, a movement nineteenth-century American art scholar Barbara Novak famously described as “one of the most truly indigenous styles in the history of American art,” as it originated apart from European painterly traditions and showcased the unique majesty of the North American landscape. [2] His legacy extends through the next generation of Hudson River School artists including Fitz Henry Lane.


[1] John Wilmerding, Robert Salmon: Painter of Ship & Shore, Salem, Massachusetts: Peabody Museum of Salem, 1971, p. 40.

[2] Barbara Novak, American Painting of the Nineteenth Century: Realism, Idealism, and the American Experience, New York: Harper & Row, Publishers, Inc., 1979, p. 95.

Close full details

Provenance

The artist;
Colonel Thomas Handasyd Perkins, Boston;
Augustus Thorndike Perkins, Boston (his grandson);
Elizabeth G. Perkins Wadsworth (his daughter);
William P. Wadsworth, Boston (her son);
Private collection, Pennsylvania;
[Hirschl & Adler Galleries, New York]; to
Walter B. and Marcia F. Goldfarb, Portland Maine, 1974; to
Estate of Walter B. Goldfarb, 2021

Exhibitions

Hirschl & Adler, New York, Quality: An Experience in Collecting, November 12-December 7, 1974, no. 42, illus.
Whitney Museum of American Art, New York, Seascape and the American Imagination, June 10-September 7, 1975, no. 84
Portland Museum of Art, Maine, A Magnificent Stillness: American Art from a Private Collection, June 26-November 8, 2015, n.p., illus. pl. 2
Portland Museum of Art, Maine, 2021-2022 (on long-term loan)

Literature

Catalogue of Robert Salmon's Pictures 1828 to 1840, no. 645
Carl Seaburg and Stanley Paterson, Merchant Prince of Boston: Colonel T. H. Perkins 1764-1854, Cambridge, Massachusetts: Harvard University Press, 1971, p. 398
John Wilmerding, Robert Salmon, Painter of Ship & Shore, Peabody Museum of Salem, 1971, pp. 40, 91, no. 645
Roger B. Stein, Seascape and the American Imagination, New York: Whitney Museum of American Art, 1975, pp. 57, 60, 66, no. 84, illus. pl. IV
Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Previous
|
Next
115 
of  373

           

The gallery is open Monday through Friday, 10:00 am to 6:00 pm. We are located at 390 Broadway, 3rd Floor, New York, NY 10013.

Instagram, opens in a new tab.
LinkedIn, opens in a new tab.
Artsy, opens in a new tab.
Artnet, opens in a new tab.
Join the mailing list
Send an email
View on Google Maps
Accessibility Policy
Manage cookies
Copyright © 2025 Schoelkopf Gallery
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Subscribe to our mailing list to receive updates from the gallery

Interests *

Signup

* denotes required fields

We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.