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Open a larger version of the following image in a popup: John Singer Sargent, Pool in the Garden of La Granja, c. 1903

John Singer Sargent American, 1856-1925

Pool in the Garden of La Granja, c. 1903
Watercolor and pencil on paper
11⅞ x 18 inches
30.2 x 45.7 cm
Dedicated at lower left: to my friend Rathbone; inscribed at lower right: La Granja
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  • (View a larger image of thumbnail 1 ) John Singer Sargent, Pool in the Garden of La Granja, c. 1903
  • Pool in the Garden of La Granja
John Singer Sargent’s Pool in the Garden of La Granja captures the luminous afternoon light that characterizes his finest Spanish and Italian watercolors. Spain held enduring fascination for Sargent—its people,...
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John Singer Sargent’s Pool in the Garden of La Granja captures the luminous afternoon light that characterizes his finest Spanish and Italian watercolors. Spain held enduring fascination for Sargent—its people, landscapes, and traditions drawing him back repeatedly between 1879 and 1912. In the present watercolor, he turns his attention to a quiet corner of the pool surrounding the baroque Fountain of Andromeda at the Royal Palace of La Granja in San Ildefonso. Conceived in the 1720s as a summer retreat for the Spanish kings, the palace gardens were modeled on the grand formal layouts of seventeenth-century French design. Abundant mountain water from the nearby Sistema Central made possible an extraordinary complex of more than twenty monumental fountains, their subjects steeped in classical mythology. 




Rather than depicting the dramatic central sculpture of Andromeda’s heroic rescue, Sargent focuses on the sweeping garden setting and its woodland paths lined with marble figures, creating a rhythm of light, shadow, and architectural punctuation that he evokes with economy of brushwork. Sargent painted at least two other watercolors at the Gardens of La Granja, each exploring secluded corners animated by sculptural accents. 




The work also carries distinguished provenance. At the lower left, Sargent dedicates the sheet “to my friend Rathbone,” referring to William Gair Rathbone VII, a close confidant of the artist. It later descended to his daughter, Elena Rathbone, Lady Richmond.

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Provenance

The artist; by gift to
William Gair Rathbone; to
Mrs. William (Blanche) Gair Rathbone (widow of the above), 1919; to
Lady Elena Richmond (née Rathbone, daughter of the above), 1938; by descent to
Private collection, 1964;
Private collection

Exhibitions

Royal Society of Painters in Water Colours, London, Summer Exhibition, 1924, no. 111, as La Granja, Madrid
The Royal Academy of Arts, London, Exhibition of Works by the late John S. Sargent, R.A., Winter Exhibition, January 14-March, 13, 1926, no. 507
Tate, London, Opening of Sargent Gallery, June-October, 1926, p. 8
City Museum and Gallery of Art, Birmingham, England, Exhibition of Works by John Singer Sargent, R.A., 1856-1925, September 18-October, 1964, no. 58
National Gallery of Art, Washington, D.C.; and the Fine Arts Museums of San Francisco, Legion of Honor, Sargent & Spain, 2022-2023, no. 62

Literature

The Royal Academy of Arts, Exhibition of Works by the late John S. Sargent, R.A., Winter Exhibition, London, 1926, p. 74, no. 507
City Museum and Gallery of Art, Exhibition of Works by John Singer Sargent, R.A., 1856-1925, Birmingham, 1964, p. 24, no. 58, as dated 1902
Warren Adelson, Donna Seldin Janis, Elaine Kilmurray, Richard Ormond, and Elizabeth Oustinoff, Sargent Abroad: Figures and Landscapes, New York, 1997, p. 134, illus., p. 135, pl. 128 illus. in color, as dated 1912
Richard Ormond and Elaine Kilmurray, John Singer Sargent: Figures and Landscapes, 1900-1907; Complete Paintings, Volume VII, New Haven and London: Yale University Press, 2012, no. 1245, p. 121, illus. in color, p. 342
Sarah Cash, Elaine Kilmurray, and Richard Ormond, Sargent & Spain, New Haven and London: National Gallery of Art, Washington in association with Yale University Press, 2022, pp. 20, 104, no. 62, illus., 228
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