John Marin American, 1870-1953
55.2 x 46.7 cm
The present watercolor retains its original artist hand-painted frame.
The present watercolor retains its original artist hand-painted frame.
Provenance
The artist;
Estate of the artist; to
Private collection;
[Menconi + Schoelkopf, New York, 2019]; to
Private collection, 2019 until the present
Exhibitions
Montross Gallery, New York, John Marin, February 16–March 8, 1924, no. 42, as Movement, Autumn
M. H. de Young Memorial Museum, San Francisco; Santa Barbara Museum of Art; and Los Angeles County Museum, John Marin: Oils, Watercolors, Etchings, February 15–June 12, 1949, no. 10
Richard York Gallery, New York, John Marin: The Painted Frame, October 12–December 9, 2000, no. 10
Schoelkopf Gallery, New York, John Marin: Communing with the Colossal, October 24-December 12, 2025Literature
Arts 5, February 1924, p. 68, illus.
Sheldon Reich, John Marin: A Stylistic Analysis and Catalogue Raisonné, Vol. II, Tucson: University of Arizona Press, 1970, p. 515, no. 23.2
Ruth E. Fine, John Marin, Washington, D.C.: National Gallery of Art, 1990, no. 192, pp. 200-201, illus. in color
Hilton Kramer, John Marin: The Painted Frame, New York: Richard York Gallery, 2000, no. 10, pp. 30-31, illus. in color
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