Max Weber's brief time studying in Paris from 1905-08 marked a turning point in his artistic career. While in Paris, Weber encountered and was deeply influenced by Paul Cézanne. The Card Players, 1917, is likely an homage to Paul Cézanne's The Card Players series, painted in the early 1890s. A pivotal episode in the transition from Impressionism to Modernism, the paintings were significant for depicting simple, everyday scenes of peasants playing cards. The careful compositions, use of color, and simplified forms reflected Cézanne's focus on the underlying structures of his subjects and laid the groundwork for modern art movements that followed, notably in Weber's case, for Cubism. The present painting, with its fragmented geometric shapes, multiple perspectives, muted color palette, and textural, collage-like paint application, epitomizes the Cubist experiments that dominated Weber's artistic output in the decade following his return to New York.